The European photobooth scene really heating up after some lean years there in the early 2000s… In addition to the projects we’ve mentioned recently in Berlin, the gang from Photoautomat in London are hosting a show of photobooth photos in the month of October:

Photoautomat and the Arch1 gallery space at Cargo are pleased to invite you to the opening of the new exhibition:

EVERYDAY PHOTOGRAPHY

The exhibition is a collection of portraits taken in an old analogue photo booth situated in Cargo’s beer garden.

The opening night is on 5th October- we will be offering a free drink to everyone that arrives at 7pm (subject to availability)

“We at Photoautomat believe that life is what happens outside of our portable electronic devices. Our analogue photo booths breathe life back into everyday photography and we hope they’ll inspire your imagination as much as they do ours.”

For more information, visit their website.

Photobooth artist and long-time friend of Photobooth.net Daniel Minnick is part of a show opening soon in San Francisco called Sweet Believer Exit. The show, which is at 2nd Floor Projects, will have an opening reception this Saturday night September 26, and runs through November 1.

For more information, visit the 2nd floor projects blog. Please let us know if you get a chance to check out the show.

We have news of two photobooth projects happening in Berlin currently. We’ll have more info once they’re completed, but for now, here’s the scoop:

First, Photoautomat.de is taking part in the Berliner Kunstsalon with a project titled “J’adore aglisia”:

J’adore aglisia combines an ecclesiastic confessional and a photo booth in a new, unexpected and modern way. It refers to the well-known advertising slogan “J’adore Dior”; at the same time, it is also a play of words with the French word église (church). The name aglisia is an acronym for the Latin termini of the seven capital sins; therefore, it is an honest commitment to a new religious orientation which states: I covet sin! For a small fee, you can be redeemed from your sins.

For more information (in German), check out their PDF on the project, and visit the Berliner Kunstsalon site for more information on the event as a whole.

Secondly, Patrick Coyle, a London-based artist, will be in Berlin using one of the city’s photochemical photobooths to conduct an interactive project with strangers in the booth.

Patrick Coyle’s intuitive approach to his interactive performances directly contradicts the laboured objects he produces during the event. Often producing obsessively precise visual poetry, the result veers from whimsical ramblings to surreal contemplations. For KOMME, Coyle invites individuals to pose with him in photo-booths around Berlin. His notes written on the developed photos concerning the sitter and his relationship to them will be revealed at the private view. Participants hear Coyle’s comments upon their time together only if they attend the private view at the end of the week.

There’s more information about the project here. The photos will be on display at the gallery at the following address between September 24 and 26, so that the public can see the progress of the project:

ÏMA Design Village

Burstein Ostrowski GBR

12–14 Ritterstrasse

Berlin 10969

We’ll have more information on both of these projects once they’ve concluded, so stay tuned.

We’ve been seeing and hearing quite a bit about The Dead Weather recently, a new collaboration among Jack White of the White Stripes, Alison Mosshart of the Kills, Dean Fertita of Queens of the Stone Age, and Jack Lawrence of the Raconteurs (another Jack White project). 

When their first single was released online, the accompanying music video, for “Hang You from the Heavens,” was shot in a photobooth.



More recently, they’ve released their full-length album, titled “Horehound,” and have included a photostrip in six copies of the album. Those lucky enough to purchase a copy with a photostrip inside will win a trip to White’s record studio. A news brief about the contest states

The winners will receive an all expenses paid trip to tour Jack’s factory, Third Man Records in Nashville, TN. The winners are given round trip airfare, two night hotel accommodation, and ground transportation. The winners are also allowed a plus one for the duration of the trip. The last chance to redeem is August 15th.

The contest is publicized on the band’s website, where you can view the video.

Readers might remember that the Kills have also used photobooth photos in their album covers, and have several hundred photostrips featured on their website.

While it’s 99% tedious photos of ‘tweens mugging for the camera in an Apple Store, our RSS feed for Flickr photos tagged with the word ‘photobooth’ still manages to turn up some interesting pictures every once in awhile. Last week, I spotted what looked like a photobooth photo blown up to cover the side of a building, and in contacting the artist, I was happy to find out more about the project, and others like it that he’s been working on over the years.



Pierre Fraenkel’s work often involves the public presentation of found photos, blown up to varying degrees of massiveness. As he describes his latest project, “Unknown little boy,”

I made a collage of an unknown little boy’s ID photograph. In my collages, I very often like showing people I meet, but above all, I like showing unknown people — either old photographs from a flea market or an antique shop, or an ID photograph found on the ground.

I’m fond of the slightly strained and forced smile of the kid. And then, there’s this hand — whose hand is it? His mother’s? From his clothes and his haircut as well as the quality of the photo, I would say the photograph was taken at the end of the 70s.

The project was done for the 2009 KKO Festival in Altkirch, France, and since we first saw the photo, the boy has now been joined by an unknown girl, as well. We’ve got some more info in our Projects section, and much more can be found on Pierre’s website.

UPDATE: For the Francophones among our readers, a local TV news interview story about the project.

In the run-up to the Photobooth Convention, we had to put a few stories and bits of news on the back burner while we were in Chicago. Now that the dust has settled, it’s time to get those up on the site, and we’re starting with a show that opened more than 1500 miles away from Chicago on the same night as the opening of the Convention: Picture Yourself Here: The Photobooth Show at the Flagstaff Photography Center in Flagstaff, Arizona.



The show, which runs through June 13, is a look at the photostrip collection amassed over the course of the past two years by FPC’s managing director, Jason Hasenbank. Described as “part self-portrait show, part anonymous found object, part candid look at the residents and visitors to downtown Flagstaff,” the show features a collection of “over 2,000 individual images of portraits, body parts, inanimate objects and expressions from our emotional spectrum.” Visitors are encouraged to add their own photos to the collection, and the center offers a scanning and enlarging service to allow people to share the photostrips with family and friends

We’re awaiting a photo of the booth and a sample photostrip to add the Flagstaff Photography Center’s booth to our newly-revamped Photobooth Directory. Thanks to Jason at the FPC for letting us know about the event.

UPDATE: The Flagstaff Photography Center’s booth is now listed in our directory.

So, it’s been a week or so since it ended, and the 2009 International Photobooth Convention is retreating in our collective rear view mirror. Those attendees who made the trek from the U.K., from New York and San Francisco, from Vermont and Massachusetts, from Minnesota and Ohio, and from around the greater Chicago area, have all returned home. The organizers have left Logan Square for far flung Los Angeles, St Louis, and Oak Park, and it’s time to reflect on what went on during the night and long day of the event.

From my perspective, the event was a huge success. Thanks to the hard work of a lot of people, not the least of whom were Anthony, providing his photobooths and preparing the event on the ground in Chicago; Tim, bringing in folks from all over the country and keeping things under control with his unflappable cool; and our hosts at Center Portion Sheila and Greg, we had a smooth and relatively chaos-free event. Without any major issues to worry about, we were able to appreciate the company of the photobooth enthusiasts, technicians, artists, kids, and passersby who attended, all enjoying the shared experience and the luxury of unlimited photobooth pictures.

Some of the highlights for me were first of all meeting Anthony, with whom we’d corresponded and spoken over the previous few months, since the idea of a convention in Chicago was first floated last August. Tim and I had been involved in our first International Photobooth Convention in 2005, just a few months after we’d begun this site, so this time around, I felt a lot more comfortable in the world of the photobooth, and had made a lot more connections, discoveries, and acquaintances that proved helpful in the meantime .

One such connection was with Martin of Schnellfoto.ru, who had gotten in touch through the website a few weeks before the convention and offered a collaborative project for convention-goers in Chicago to participate in. In the Schnellfoto booth in Moscow, various people offered questions to Chicagoans, written in Russian on cards and held up to the camera in the photobooth. Martin FedEx’ed the strips, with translations, to me, and I brought them to Chicago, where we distributed them to people to answer with a response photostrip. The project attracted a lot of enthusiasm, and we got some terrific, witty, and creative answers. I’m in the middle of assembling a small booklet of the questions and answers side by side, which we’ll make available on the site when I’m finished.



Steve “Mixup” Howard, the founding father of the International Photobooth Convention, made the trek from England, and, along with Nakki Goranin and Dina Stander, made up the core group of returnees from our previous convention in 2005. It was great to see them again, and to have their art and collections hanging on the walls of the gallery, just like last time. We made some new friends this time, putting faces with names we’d emailed with over the years, including Danny Minnick from San Francisco; Connie Begg, proud owner of a new (old) photobooth, also from the Bay Area; and Carole and Siobhan of Photomovette in London, who are busy preparing to reintroduce the photochemical booth to London after a few years of painful absence.



The panel discussion on day two was also a highlight, as Tim led a talk among the hosts and distinguished guests, including Anthony, Mixup, Nakki, and Nick Osborn of SquareAmerica.com and co-author of the fantastic new book Who We Were: A Snapshot History of America.

Despite the long series of late nights spent preparing, enjoying, and then cleaning up after the convention, we were even able to get in a little photobooth-hunting, as Tim, Danny, and I hit three photobooths to add to our directory: Quenchers, Weegee’s Lounge, and Bar Deville. By the end of it all, there was fleeting talk of doing it all again in a year (or two or three), so we’ll see what happens. Thanks to everyone who came for making it a terrific event.

Check out the official wrap-up page for the convention, and stay tuned for the online gallery of artwork and other multimedia from the event.

We’ve put up another batch of photos, from the second day of the Convention, on Flickr. They’ve been added to the 2009 IPC set.

Anthony leads his sold-out “Altered Photography” workshop:



Some of the art and collections on the walls of the gallery:



Danny and Nick talk photography:



One of our younger convention-goers gets ready to take photos in the booth:

Check out all of the photos in our set, as well as the photos (and photostrips) of others in the 2009 IPC group pool on Flickr (thanks to Arielle for setting it up).

After an amazing and exhausting International Photobooth Convention this weekend, the various organizers are still unloading trucks, cars, and suitcases, so it will take bit before we can get a full run-down on the events and highlights, but for now, we’ll put up a few photos and videos to give those who weren’t able to make it an idea of what it was like.





Check out the full set of photos on Flickr.



We took some video over the weekend, some of which we’ve already posted below. More is on the way, so check out a few videos on Vimeo.

And finally, we designed some t‑shirts and debuted them at the Convention. Currently there are two in the entire world, one for each half of Photobooth.net, but we’d love to see some more around. Order a shirt, take a photostrip of yourself wearing it, and send it our way! Check out our Photobooth.net t‑shirts at Spreadshirt.

Your 2009 International Photobooth Convention organizers are hard at work preparing for the event from their respective corners of the country as the big day gets ever closer. We’re now just one month away from the opening night, April 3, at Center Portion in Chicago. 

We’ve had a lot of interest via email and through our Facebook group, and would encourage all photobooth artists, collectors, and experimenters out there to contribute to the event, whether or not you can attend. As part of the convention, we’ll be curating a group show of art created in and inspired by the photobooth as well as collections of vernacular or found photobooth photos. Check out the Call for Entries (PDF) if you’re interested in submitting a piece or collection for the show.