That’s certainly not a word, but I’m sick of using the term “roundup” to describe one of these omnibus photobooth news entries. Maybe I should have just used “omnibus,” actually. Anyway, we’ve found a few brief items of note to relay here, and in the new year, we’ll have more news on the photobooth art front from Spain and Italy. 

• One item that has been circulating the art news blogs recently tells of the work of Joe Heidecker, who used a photobooth to help him cover chairs in photos of design fair goers in Miami. Read all about it on the Dwell blog, and be sure to check out the “Design Miami 2007” video on the New York Times website.

• Max Kozloff’s new history of portrait photography features some photobooth photos, according to a Guardian review:

Kozloff favours anonymous faces and everyday locations: he makes room for discarded strips of photo booth portraits, but not for the celebrated sitters of Karsh, Bailey, Leibovitz or Testino.

• According to a recent LAist post, musician and artist (and photobooth photo collector) Mark Mothersbaugh’s “Rugs During Wartime and Peacetime” exhibition and sale at a gallery in Culver City, California, featured a booth:

They had the requisite trendy photo booth, which we avoided. Everyone’s butt looks fat standing in a photo booth. 

• Photobooth.net reader DaveX’s giant gallery of photostrips shows the wide variety of lighting, contrast, and chemical variables that can have an effect on the final strip. And if you’re into seeing the owner of that same photobooth mugging for the camera, take a look at the gallery of 357 photostrips of the owner, also impressive and fascinating.

More bad financial news for Photo-Me is not necessarily noteworthy, but the field day the UK press are having with headlines is somewhat amusing. 

While the Independent goes with the mundane “Photo-Me stock dives 8 per cent after warning it will go into the red,” In the News and the BBC match “picture” puns with “Sorry picture for Photo-Me” and “Bleak picture for Photo-Me sales.”

My favorite, however technologically inaccurate, is from This is Money, who declare that “Photo-Me investors get the negatives.” Nice.

Craigslist’s “Missed Connections,” home to love-lorn singles and crazy stalkers and fodder for hours of fascinating reading, brings us the briefest gem of a story, with a tagline worthy of a short story: “Found: photobooth pics in Murakami library book”

Date: 2007-12-15, 10:54AM EST

Stuck between the pages of “The Wind-Up Bird Chronicle”, I found a strip of black and white photobooth photos: blond man and glasses girl, very much in love (or so it seems). If these are yours, I’d be happy to return them to you.

Good luck, little photostrip.

We’ve got more information to follow up on our previous note about Irene Stutz and her book Das Einfränklerimperium: Die Geschichte der Schnellphoto AG, or The One-Franc Empire: The History of Schnellphoto AG. Irene was kind enough to provide us with a description of the book in English as well as some images from the book itself.

The book tells the story of Schnellphoto AG, established and lead for many decades by Martin and Christoph Balkes. For one franc per image strip, the brothers provided the whole contry with square passport pictures — their machines became a national cultural treasure, their company a veritable empire of one franc coins. Since the end of 2006, the photo machines have been demolished and scrapped since the special photographic paper is no longer being produced. As analog machines are being replaced by digital ones, the original “snapshot character” is being lost through fun image settings and verbal instructions. But it was exactly the austerity and sobriety of the “photo machines” that triggered the desire for spontaneous self-representation.

The book will be published by Scheidegger & Spiess in Zürich, and it looks like it will be available through the publisher’s website as well as Amazon.de. Tonight, Irene will be having an opening for her new book in Zürich, which qualifies as the coolest photobooth-related event of the year, and we hope to see photos from the evening soon.

Images and text courtesy Irene Stutz

The New York Times City Room blog asks the question, will Stumptown Coffee Roasters be “planning an outpost in the lobby of the Ace Hotel, a Portland transplant that is scheduled to open on 29th Street and Broadway in 2009”? A fair question, to be sure, but more to the point, will the Ace be bringing another photobooth with them to New York, along with their painted brick interiors, camouflage bedside bibles, and their Rudy’s Barbershops? We shall see — and while we’re at it, when is the Seattle Ace going to get its own photobooth, as well? 

My high school German is pretty rusty, and I never could understand Schweizerdeutsch very well, but the images in a Schweizer Aktuell news report about Swiss photobooths say it all. An accompanying article about the “Fotokisten” being “endgültig Geschichte,” or “finally history,” has more to say about the situation. If any intrepid Photobooth.net readers would care to offer a translation, we’d appreciate it.

We’ve got more stills from the piece here.

Artist Irene Stutz’s fantastic site We Miss You pays tribute to these Swiss booths, and offers a preview of a book with photos and a historical account of the history of booths in Switzerland. We’ll post more on the project and on this story as we find out about it.

A few items of note in the news recently:

First, a series of photobooth-style portraits taken by royal girlfriend Kate Middleton:

The 25-year-old girlfriend of Prince William was praised as she organised an exhibition by celebrity portrait photographer Alistair Morrison.

The prince showed his support by making a late appearance at the show. The exhibition — The Time To Reflect, at The Shop at Bluebird, in Kings Road — features dozens of Morrison’s celebrity photographs including Tom Cruise, Kate Winslet, Ewan McGregor, Catherine Zeta-Jones and Sting.

Many were taken in a special photobooth installed in the Dorchester Hotel in London and in venues in Los Angeles and New York as part of a project to raise money for the United Nations’ children’s fund, Unicef.

Limited editions of the originals are being sold at the show with half the proceeds going to the charity. All the proceeds from a £60 book of the passport-style images — complete with personal messages from the sitters — will benefit the same cause. 

Also, more bad news for Photo-Me:

Shares in Photo-Me International, the company whose management was earlier this month forced out by angry shareholders, collapsed yesterday as it cut profits forecasts for the year.

Some thoughts from an English writer on passport photos:

I have just had my passport picture done. The result was not a pretty sight and got me thinking.

And a piece on photobooth enthusiast Nakki Goranin and her upcoming book, American Photobooth.

With an introduction written by David Haberstich, a Smithsonian curator of photography, the 224-page tome reveals happy, stern, wistful, goofy or blank facial expressions. Many images convey specific occupations, familial relationships, romantic entanglements and outlooks on life.

The author of the article gets Nakki, but doesn’t necessarily get the current state of photobooths: “Photobooths are still around, in malls and arcades, but now they’re digital.” I guess we’ll be going, then…