The contributions seem to be flowing rapidly these days, and this week, we’ve got a varied assortment of new material to call your attention to.

First, a few additions to the otherwise neglected Music section. A Spanish band known as Parking Radio has released an album called Photomaton, with a song titled El Photomaton.

And thanks to a tip from Charles, we’ve added the Biz Markie classic “Just a Friend,” with its lyric, “Come to the picture booth/ So I can ask you some questions to see if you’re hundred proof.”

We’ve finally put a few more TV shows from Europe on the site, contributions we received awhile back but have only now managed to gather and present. First, thanks to Caitlin for telling us about a scene from the UK show Primeval:

And second, we’ve added a page for the European news show Metropolis. We mentioned the show a few months ago, and now have a permanent home for it in our TV section.

We also added another gem of a find from Les Matons: an Italian crime film called Escape from Death Row, a Lee Van Cleef vehicle with a great photobooth murder sequence.

Our In Print section has a few new additions as well. First, thanks to Siobhan for sending us scans from the magazine Oh Comely, which featured an interview with the owner of the only photochemical photobooth in Ireland.

Thanks to Kerstin for tipping us off to a new German photography book titled Photomaton: Frauen Männer Kinder, a collection of 500 photobooth photos taken between 1938 and 1945.

And finally, we’ve heard from Ginny Lloyd, the artist behind A Day at the Races, who has a new photobooth project for which she’s accepting contributions. Here are her instructions:

If you want to participate in the next photobooth book, mail in four photobooth style photos with dialogue bubbles documenting a photobooth performance by November 30th, 2011 to: PhotoBooth Book, PO Box 1424, Jupiter, FL 33468.

For quality control, no electronic submissions please — original photobooth or photobooth like photos only — no copies! No returns. Future exhibitions to be announced to participants. Be sure to use the prescribed format: photobooth style image size and include dialog bubbles.

Steps for submission:

1. Take/make 4 photos of your photobooth performance.

2. Put this in an envelope — do not email.

3. On a piece of paper draw dialogue bubbles for talk, think and/or holler. Make sure you indicate which bubble goes with each photo.

4. Clearly print your text in the bubble(s).

5. Add the paper to the envelope.

6. Mail envelope to PO Box 1424, Jupiter, Florida 33468 USA.

Our week of updates continues with a slew of new TV shows with photobooths and photostrips in them. Most are from the last few years, and they come from the United States, Italy, and the U.K.

First, thanks to Marco for a tip about an Italian series called Romanzo Criminale. A mobster picks up a drop from the underside of a photobooth stool.

Marco also let us know about a British show called Misfits, in which a character who can rewind time and change what happens sees two versions of the same photostrip.

Next, I want to thank Xiao for tipping us off to a scene in Royal Pains in which Evan (Paulo Costanzo) proposes to Paige (Brooke D’Orsay) in a photobooth.

A recent episode of Zooey Deschanel’s new show New Girl had the cast at a wedding, which naturally featured a photobooth. Several lengthy scenes in the booth were augmented by a number of shots of authentic photostrips from the machine.

The short-lived show Better with You (which I only saw because it was showing on the plane) used a photostrip in a drying slot as a theme for its opening credits and between-scene transitions.

A scene from a recent episode of Modern Family featured an incidental pair of photostrips next to a mirror in one scene.

A recent episode of Auction Hunters had the guys stumble across an old booth in a storage locker. Read on to see more photos and our thoughts on where the booth really came from.

And finally, the brilliant Portlandia was almost obligated to feature a photobooth, considering Portland’s recent ascendancy into the upper echelons of photobooth cities in the U.S. They didn’t disappoint, with a booth visible in the lobby of the “Deuce Hotel” in one episode this season.

Thanks again to everyone for sending in your contributions. Keep ‘em coming!

Sad news first: thanks to some updates this month, we’ve learned that photochemical booths no longer exist at Corner Mall in Downtown Crossing in Boston and at Wasteland in the Haight in San Francisco.

In other news, Karl Lagerfeld presented a collection of photobooth photos of various celebrities to coincide with the American Foundation for AIDS Research gala, as reported by Harper’s Bazaar and Chanel News.

Check out the selection of photos of celebrities, models, and Lagerfeld himself, as well as Zhang Ziyi, seen here.

And…in other Karl Lagerfeld photobooth news, he seems to have shot a new campaign for Chanel in a photobooth, though we haven’t come across the resulting photos yet.

Thanks to Marco and Ferdinand for letting us know about a recent European public television feature on photobooths. The Metropolis segment on the Arté channel features Photobooth author Raynal Pellicer and our friend and long-time contributor Marco Ferrari. The interview, in German, is on YouTube.

And finally, a long-awaited chapter in my photobooth story will begin soon. This week, my Model 14 photobooth will be making its way from Chicago to Los Angeles, where I’ll be setting it up in a shed a friend and I have been putting together in my back yard. I’ll be providing updates on the setup of the booth as we go along. The race to get the machine in place and working before my daughter’s first birthday party is on!

As we catch up on what’s been going on while we were out of town, we bring you some bits and pieces from our readers: five new international additions to the site, courtesy of five different folks who got in touch with us.

First, check out Alberto Tanquero’s nice found photobooth image cards over at The Found in Chicago (thanks, Alberto).

We’ve added our first German show, Alles was Zählt, to our listings, with one of many episodes featuring the romance between Deniz and Roman and a few photobooth frames. (thanks, Ricky).

We’ve also added some new photobooth projects, including Paula Birch’s site, “The Strip of a Lifetime”, with tons of photos from Australian photobooths (thanks, Paula).

Also, a lingerie photo shoot in a photochemical photobooth in Italy, courtesy of the Belgian designer La fille d’O (thanks, Marco).

And finally, thanks to the tireless efforts of our Canadian correspondent Meags Fitzgerald, we have four new photobooths listed in the Maritimes, three in Nova Scotia and one in New Brunswick, bringing our total to seven represented provinces (Yukon, I’m looking at you…):

Halifax Shopping Centre

Park Lane Mall

Scotia Square

Champlain Place

Thanks, Meags.

We’d like to thank everyone who contributed, and we encourage others to speak up, drop us a line, and help continue the growth of the site as a photobooth resource for all to enjoy.

We’re bringing to a close the series of updates to our Movies and TV listings sourced from IMDb’s keyword system with some mixed results: of the six items remaining on the list, only three seem to yield solid results. If anyone can find the photobooth in A Chipmunk Christmas (1981), Leave it to Beaver (1997), or Wild Tigers I Have Known (2006)—and three more different pieces of work I can’t say I have known—we’d appreciate it. We scanned through each film at least twice and came up with nothing.

On the other hand, we had good, diverse results from three other titles listed: Road Movie, Be With Me, and Aliens Inside.

The late Joseph Strick’s Road Movie features a brief photobooth moment, in which a prostitute picked up a pair of truckers shows off some photos she took in the booth, and then relays a rather depressing story about what happened to her once when she was in a photobooth.

The film Be With Me tells three different fictional stories, one of which involves two girls who get to know each other online. When they meet in person, they go into a purikura photobooth and take some photos.

And finally, Aliens Inside, an Italian TV series. I can’t tell if the video I’ve found online, which is about 30 seconds long and mostly credits, is the full show, but it’s all I was able to find. A man dressed as an alien takes pictures in a photobooth; I wish I knew what was going on here.

So, thanks to these new tips, we’ve added ten new films and five new television shows to our tally. Now it’s time to return the favor and add the hundreds of shows and movies we have listed here into IMDb’s keyword system. I’ll get right on it…

We continue to update our movie and television listings with more titles found through the magic of IMDb’s keyword system, and start with a film I’d never heard of, Now & Forever.

Angela (Mia Kirshner) and John (Adam Beach) visit a photobooth in—what else?—a roadside rest stop, where she takes a sad strip of photos in what looks more like a Polaroid booth. He turns around to find her gone, and we see her jumping into a semi truck, taking off with no warning. The photostrip falls to the ground, where he finds it and then, very dramatically, screams to the heavens and drops the strip, which flutters to the ground. Acting!

The IMDb list featured another film I thought we’d already added here: My Sister’s Keeper. This story of a family dealing with leukemia features a brief moment of happiness when the family visits a photobooth on the pier.

And finally, another remarkable find: Wim Wenders’ Summer in the CIty. Wenders is perhaps the king of the photobooth on film; we’ve listed photobooth moments in his Alice in the Cities, Paris, Texas, and Faraway, So Close!. We’re happy to add Summer in the City, his first full-length film, to that list.

Wenders has always been interested in automatic machines in his films, and includes many in this film: cigarette machines, pinball machines, even a visit to an “Automatischer Lebensmittel Markt,” an Automat. The first time I scanned through the film, I didn’t see anything that looked like a photobooth. On second glance, though, I spotted it, a nearly invisible shot in near complete darkness, in this extremely poor transfer. Hanns (Hanns Zischler) takes a strip of photos in the booth, located outside, in the rain. Where does he go when he leaves the photobooth? Into a phone booth, of course.

We continue our survey of movies and TV shows new to us thanks to an IMDb keyword search with a television show that sets a new standard: the earliest appearance by a photobooth in a TV show that we have yet found. Expanding the history of photobooths in TV to a run of more than 50 years, this 1959 episode of “Alfred Hitchcock Presents” utilizes a somewhat aytpical single-shot photobooth. The machine, which produces Photomatic-style photos though without a frame, is located in a bar where David Logan (Clint Kimbrough) meets a sailor, played by the great Clu Gulager, in the episode “Appointment at Eleven.” The use of the booth doesn’t do much in the way of advancing the plot, but we’re excited to have found a link, however tenuous, between the great Hitch and the photobooth.

Next, switching gears more than a little, we’ve got what seems like a haunted or possessed photobooth at a roadside rest stop in the 2003 thriller Octane, starring Madeleine Stowe and Mischa Barton. The movie is pretty forgettable, but does feature a nice little moment when the flash goes off in an empty photobooth, freaking out an already freaked out mom (Stowe) looking for her rebellious daughter (Barton), who’s cast her lot in with some bad, bad folks.

Jumping across the pond to another roadside rest stop, two young protagonists of Late Night Shopping hop into a photobooth for a combination fight/makeout session, and look lovingly at the resulting photostrip afterwards. For a fake strip, the result isn’t the worst we’ve seen.

And finally, a photobooth scene in a movie we’d heard about but not done anything about, the 2010 re-imagining of The A-Team. Thanks to Meags for the original tip on this film. Face (Bradley Cooper) pulls Charissa (Jessica Biel) in the world’s roomiest photobooth, where they slap and punch and gouge each other’s eyes out, followed by flirting and handcuffs. The size and scale of the booth is way off, and the sort of widescreen video screen showing each image as the flash goes off is equally strange. Then again, the whole movie is a pretty lame attempt to recapture the good-natured fun of the original series, so it’s par for the course.

More movies and TV shows to come…

We’ll begin this second batch of updates thanks to IMDb keyword system with a great photobooth sequence from an ‘80s horror omnibus film, Creepshow 2. If you’d told me I’d see—spoiler alert—George Kennedy and Dorothy Lamour gunned down in a roadside tourist shop in front of a Model 14 photobooth, well, I wouldn’t have believed you. But it happened, and Creepshow 2 is your proof.

Next up, Bille August’s 1983 coming of age film, Zappa. The photobooth appears in a brief sequence in the film’s opening credits. The machine, with its “Fotografer dem selv” sign, looks similar to the machine in the Danish film Mig og mafiaen; is it a coincidence that the only other Danish film in our list also features a bare ass in the photobooth? Ponder that one.

And finally, an episode of the U.K. television show Jam & Jerusalem. The list of films and TV shows that people have taken the time to tag on IMDb seems really odd: Buffalo ’66 is there, as is Beaches, but no Amélie, no Superman III, no The Band Wagon… Same goes for the TV shows: why is Jam & Jerusalem—even for this avid fan of BBC programs, a show I’d never heard of—listed there, while iconic shows like Mission Impossible, Happy Days, and The Simpsons are nowhere to be seen? Anyway, a shop photobooth is the setting for a brief scene featuring Rosie (Dawn French) and her alter ego Margaret.

When I first began seeking out films and TV shows with photobooths in them, the Internet Movie Database was a useful tool, but I quickly exhausted the results I found from searching credits, and synopses (plus the fact that that Colin Farrell movie Phone Booth kept coming up as the first search result). As the site grew, we relied on the movies we saw ourselves, submissions from our readers, and the occasional Google Alert to tip us off to films featuring photobooths and photostrips. This week, I checked in again with IMDb and ran a search using their keyword system, which I don’t think as as robust six years ago, with surprising results.

A keyword search for “photobooth” revealed a list of 33 titles, at least half of which I was completely unaware of. Looking at the 25 unique listings (disregarding the Jay Leno-related items, as is my habit in life as well as with regard to photobooths), 16 were titles I’d never heard about in connection with the photobooth, 8 were titles we already have listed, and one, The A-Team, was a film I’d known about but hadn’t done anything about yet.

Over the next few days, I’ll be adding as many of these new films and TV shows as I can get my hands on, which will constitute a major addition to the site, and confirmation of the photobooth’s long and enduring history in the moving pictures.

I’ll begin with Amores Perros, the remarkable debut feature film from director Alejandro Gonzalez Iñárritu.

This film is the one title in this new batch that I’d actually seen, and I was surprised to see that when I first saw it ten years ago, I hadn’t paid any attention to the role of the photobooth in not one but two separate sequences. It just goes to show that if you’re not looking out for something, it doesn’t make much of an impression. El Chivo (Emilio Echevarría) takes a strip while in his vagrant mode, and another after a shave and a cleanup.

Next, changing modes completely, an episode of Mr. Bean called “Mr. Bean Goes to Town,” in which Mr. Bean (Rowan Atkinson) heads into a photobooth after his camera has been stolen. He listens to the photobooth as the strip makes its way through the machine, and gives it a whack before the strip appears in the slot.

We’ve cataloged Rowan Atkinson’s sort of one-man photobooth dynasty here on the site. We’ve seen him in Not the Nine O’Clock News (1980), administering a wedding photobooth. Next in line is this episode of his TV show in 1991, followed by the movie Bean (1997). Having conquered television and film, he moved on to animation in Mr. Bean: The Animated Series in 2003. What’s next, Bean?

FInally, a TV series of a different color, Sons of Anarchy. In a brief bit at the beginning of the season one episode called Fun Fair, Gemma (Katey Sagal) and Clay (Ron Perlman) head into the booth for a little fun, but Clay destroys the resulting strip once they’re done.

We’ll have more additions from IMDb’s list of photobooth-tagged films throughout the week. Then it’ll be our turn to contribute, by adding the “photobooth” tag to IMDb’s entries for the hundreds of films and shows we have listed.

We’ve got two new additions to our ever-surprising, ever-growing catalog of photobooths in movies and television. This section, along with the Photobooth Directory, was one of the earliest parts of this website, and it’s still one of the most interesting and oft-updated.

I watch a lot of movies as part of my job, as well as a fair number of trailers as of late, and for the first time, last week, I was watching a trailer for a film I’d never seen (or even heard of) and out of the blue, I spotted a photobooth! My colleagues probably wondered why I shouted “Hey!” in the middle of the screening, but then again, most of them know about this site, so they probably weren’t too surprised. The film was a mostly forgotten 1971 comedy starring David Niven, Virna Lisi, John Cleese, and Robert Vaughn, called The Statue.

Niven plays Alex Bolt, a Nobel prize-winning linguist who spends more attention to his work than his wife, a sculptor played by Lisi. As a way of exacting her revenge for a life of neglect, she sculpts an 18′ tall statue of her husband for display in Grosvenor Square, but gives the statue another man’s appendage, so to speak, and tells her husband it’s not modeled on his.

Bolt then spends the rest of the movie trying to find the man who provided his wife with the life model for that particular part. He uses a photobooth, one of the only ways to get a photo taken without anyone else seeing the results in those days before digital, to take a set of photos of his own to compare against. It’s not a terrific film, but the pleasure of seeing the strait-laced Niven stripping down in a photobooth in a groovy teenage arcade is pretty funny.

We also received a tip from our friend Jeff, the man behind the Art of Waiting contest we helped out with last year, that a photochemical booth made an appearance in the background of a recent episode of “The Chicago Code.” His eagle eye was right; after freeze-framing on the photobooth in the scene and comparing it with every booth we have listed in Chicago, we confirmed that the scene was shot at Skylark, home to this photobooth. I thought the bar looked somewhat familiar; I had visited there in 2005, at the end of a very long day visiting 17 photobooth locations around the city. Upon closer inspection, you can see a piece of paper on the door that reads “Skylark” as the police enter the bar; when they leave, though, a larger sign above the door reads “McGowan’s Pub,” in line with the plot centering on Irish mob criminal activity.