THE PHOTOBOOTH BLOG

Archive: Community

December 31, 2012

It’s been a busy year for the photobooth. As 2012 comes to a close, we’re taking a look at what the last twelve months have brought in the the world of the venerable photochemical machine, now in its tenth decade of life.

Most notably, this was the year that audiences around Europe got to see the most comprehensive and significant exhibition on the history and art of the photobooth ever produced. Curated by Clément Chéroux, Sam Stourdzé, and Anne Lacoste at the Museé de l’Elysee in Lausanne, the exhibition was titled “Derrière le rideau: L’esthétique du photomaton,” or “Behind the Curtain: The Aesthetics of the Photobooth.” I was honored to be able to contribute to both the printed catalog and the exhibition itself, and I traveled to Lausanne for the opening in February. After Lausanne, the show traveled to Le Botanique in Brussels and then to Vienna, where it remains open for another two weeks at the Kunst Haus Wien.

Back in the U.S., another international photobooth event was on the horizon. Three years after our very successful event in Chicago we hosted another International Photobooth Convention. This time, we gathered two photochemical photobooths and a major collection of world-class photobooth art in the sunny confines of Venice, California, and enjoyed two nights and a day of photobooth fun. Read all about it here.

The 2012 Photobooth Convention led to our first official publication, a 25th Anniversary Catalog celebrating the past and present work of the pioneering photobooth artists who first displayed their art in Rochester, New York in 1987. Limited copies of the catalog are still available for purchase; you can order them here, along with signed and numbered copies of the beautiful poster for the show.

International Photobooth Convention

We finished up the convention with a terrifically fun photobooth crawl in a hired van around Los Angeles.

As we do with every convention, we produced a collaborative project with those who attended. This time, it was a collection of Photobooth Shorts, movies told in just four photobooth frames. We still have a limited quantity of numbered copies left for sale; follow the link to get your copy.

On the site itself, we’ve had a busy year of updates. We continue to discover new photobooth locations ourselves, and learn about them from contributors all over the world. In 2012, we added 48 new photobooth locations, plus countless additions, corrections, and updates to other locations already in our directory.

2012 also proved that the photobooth craze in movies, TV, and print shows no sign of slowing. This year, we’ve added 24 new movies, 22 new albums, 21 new TV shows, 15 new magazine articles, 14 new commercials, 10 new music videos, and six new newspaper articles.

year_end_photoboothThe year also saw 30 entries in our blog, from Jack White’s appearance on ‘American Pickers’ to more recent omnibus recaps of additions to our various collections of photobooth appearances around the world. 2012 also brought our first ever guest blog entry, a travelogue from Meags Fitzgerald about her epic European photobooth adventures. Visit our Archives to poke around the entries from the past year.

If we can read anything into these stats and highlights, it’s that the photochemical photobooth is alive and well in 2012, thanks to the vibrant and committed community of enthusiasts around the world, many of whom we had the pleasure of meeting this year.

Best Wishes from Photobooth.net for a joyous, peaceful, productive, and photobooth-filled 2013! (And Happy New Year from two of the youngest members of the Photobooth.net community, both booth enthusiasts in the making)

October 20, 2012

Next weekend, Anthony Vizzari of A&A Studios and visiting artist Meags Fitzgerald will give the first of three photobooth workshops at A&A in Chicago. Check out the description of each workshop and sign up if you haven’t already. We can’t wait to see some of the work that results from these sessions.

Workshop One: In Front of the Camera : 10/27/2012

This workshop will give you an introductory knowledge of photobooth mechanics and chemistry. A lecture on photobooth art will show you the possible effects you can achieve.We’ll focus on effects you apply before the photos are taken; experimenting with exposures, filters, gels, mirrors, magnification and external light sources.

Workshop Two: Going Beyond : 11/3/2012

We’ll re-contextualize what photostrips can be with a customized backless analog photobooth being built just for this workshop series. (Think…full body photos!) With it we’ll experiment with focus, wide angle lenses and taking photos at a distance. There will be a short lecture on the workshop’s theme so you can start thinking of larger scale pieces.

Workshop Four: Advanced Techniques & Open Lab : 11/10/2012

This open session allows you to plan and produce your own photos, applying all the skills and techniques from the previous workshops. The instructors will be on hand to help you plan and execute your concept.

October 08, 2012

The wonderful exhibition of photobooth art and history known as “Derriere le rideau” opens in its third and final location this week, at the Kunst Haus Wien in Vienna, Austria.

The exhibition has been installed, the booth is set up, and the opening reception is tomorrow, October 9. The exhibition will run until January 2013, and we encourage anyone with an interest who hasn’t had a chance to see it in Lausanne or Brussels to take the opportunity now. The photographs and other works collected in the show will never be assembled in such a way again, and it’s a real sight to see for the photobooth enthusiast.

We look forward to hearing updates from those who attend, and we’d love to post photos and reports from the lucky visitors.

October 06, 2012

We all read of Meags’ epic travels this summer, and now I’ve had a chance to add all of the new and updated photobooth locations she found to our Photobooth Directory. From Chicago to Toronto to Belgium and France, we’ve got updates on a ton of booths, thanks to her sleuthing. Links to all of the updated booths follow.

First, in North America, two new booths in Toronto and an updated booth in Chicago: The Steam Whistle Brewery, home to the only black and white photobooth remaining in Toronto, and the Gerrard Square Shopping Centre; plus a new booth at the Empty Bottle in Chicago,

Across the Atlantic, Meags confirmed, denied, reported, and recounted visits to more than a dozen photobooths. First, we’re very excited to be able to add Belgium to our list of countries with a working photochemical photobooth available to the public. Thanks to the installation of the “Derrière la Rideau” exhibition at Le Botanique, denizens of Brussels now have a lovely black and white machine to enjoy.

Installed and run by La Joyeuse de Photographie, the machine will remain at the museum now that the exhibition has moved on to Vienna.

​​We’ve added a few new French locations thanks to Meags’ visit. First, a gorgeous booth at ​​L​e​s​
​R​e​n​c​o​n​t​r​e​s​ ​d​’​A​r​l​e​s
in Arles. The show ended in September, so we’ve probably lost our chance to visit, but hopefully the booth will find a new permanent home soon.

New booths can also be found at ​​F​o​r​u​m​ ​d​e​s​ ​i​m​a​g​e​s, ​B​a​t​o​f​a​r​, ​​L​a​ ​C​i​t​e​ ​d​e​ ​l​a​ ​M​o​d​e​ ​e​t​ ​l​a​ ​D​e​s​i​g​n, and ​​L​a​ ​M​a​i​s​o​n​ ​R​o​u​g​e, plus a new booth at C​i​t​a​d​i​u​m​.

Meags also provided updates (some booths gone, some still around, some slightly changed) to the following Paris locations: ​P​a​l​a​i​s​ ​d​e​ ​T​o​k​y​o, ​A​u​ ​v​i​e​u​x​ ​S​a​u​m​u​r​, ​​C​i​t​a​d​i​u​m​ ​B​e​a​u​b​o​u​r​g​, C​i​t​a​d​i​u​m​, ​L​e​s​ ​P​r​a​i​r​i​e​s​ ​d​e​ ​P​a​r​i​s​, and ​Cinematheque de Française​​.

Thanks again to Meags for all of these updates. The rest of us have to be content to travel vicariously through her as she visits every photobooth under the sun, and we appreciate her bringing us along with her plentiful and detailed reports.

August 24, 2012

Thanks to Meags Fitzgerald for this, our first ever Photobooth.net Guest Post:

I’m back and settled in after a three and half week photobooth-themed trip to Europe. For a few months I’ve been researching material for a graphic novel I’m writing & illustrating about photobooths, Photobooth, A Biography. I’ve been following photobooths during my travels for years now, including a trip to Europe in 2009, so I was uncertain how much more I would learn for the book on this trip. Any hesitancy I had was quickly cleared up as this trip proved to be a gold mine of information and adventures.

I started by seeing the art exhibition Derrière le Rideau: L’esthétique Photomaton in Brussels. This is the same show that opened in Lausanne, Switzerland in February and will be in Vienna in the fall. It was this exhibit that spurred the whole idea for the trip. I spent one full day in the exhibit, studying each work and making notes.

La Joyeuse de Photographie (Camille and Igor) installed a black and white booth at the gallery and while I was there it never seemed to get a break. This is the only booth in Belgium, and it has been such a hit that rumor has it that it will stay at the gallery permanently.

Next I headed to Paris, where I stayed with my friend Marion, who helped me immensely with the gaps in my French. I did go to French immersion school when I was little, but as it turns out that that level of education is only helpful if you need to have conversations about school supplies or need permission to go to the water fountain. Marion and I were true photobooth detectives; we visited every Paris location listed on Photobooth.net. We found that about half of the listings are no longer there and uncovered a few that haven’t been listed yet.

Highlights in Paris included an interview I did with one of the curators of Derriere le Rideau, Clement Cheroux. Clement works for the Centre Pompidou and to my surprise, when I arrived there I saw this mural on the wall adjacent to the gallery. The high contrast style and little red arrow looked familiar to me, and sure enough I knew of the artist. The mural is by Jef Aerosol who had several pieces in the exhibition at the International Photobooth Convention this May.

Digital photobooths can be found everywhere in Europe because the photos can still be used for passports and driver’s licenses. I was surprised by the slickness of this digital model, so much so that I couldn’t help but use it, despite my general aversion towards digital. I found out later that it was designed by French superstar designer Starck. His concept was that the seat is the heart of the machine, so the light within it slowly pulses, which effectively lures you towards the machine. (It worked in my case.)

Another highlight was a booth that was made by Eddy from Fotoautomat France last year for the photography exhibition/convention in Arles, France. It now lives (supposedly permanently) in Les Forum des Images in central Paris. The booth has a higher ceiling than usual and no backing. Unfortunately Eddy was out of town when I visited and it was out of order so I didn’t get to use it. It’s still a gorgeous machine though.

In Paris I visited all the booths by La Joyeuse de Photographie and met up with Camille for an interview. It’s sorta funny to use their booths, which all come from my homeland, Canada. I also met with artist Marc Bellini and he filled me in on some interesting projects he’s got on the go.

Next I went to Amsterdam and made an excursion out of the city to visit Peter and Ina’s collection of vintage American arcade machines. They are amazing people and their collection is stellar. They have a beautifully restored Model 11, which they’ve altered slightly to take digital photos, but in the future it can be switched back to take chemical photos again.

I was told that there are no wet chemical booths operating in the Netherlands and this largely has to do with restrictions on the chemicals, which cause health problems. The chemicals are too difficult to purchase and bring into the country, and furthermore it’s expensive and difficult to safely dispose of the chemicals. It’s because of this that I thought there wouldn’t be much to see in this part of Europe… I was wrong.

On my last day in Amsterdam I impulsively decided to visit the Prontophot warehouse, a two hour train and bus ride away from the city. I knew that the company has been all digital for seven years, so initially I didn’t plan on visiting, but then I got word that they had a few old rare models. By the time I got there it was after closing but Peter (a different Peter) happily stayed late to talk with me for a few hours. They had an old American Model 11, which was funny to see with Dutch signage. The real gem though was this Fotoautomat Model 9 from Zurich from 1963. The booth is huge and extremely heavy. Peter told me it was the only intact model left in the world. It also appeared in the 1998 film, Left Luggage. I did an illustration of it for my Photobooth Portrait series, which you can see here.

Next I headed to the South of France to interview Les Matons, an artist couple in Nimes. I really enjoyed talking to them about their approach to their practice and was fascinated by the scale of the projects they’ve done with photobooth pictures. From Nimes I went to Arles, a small town with a large photography exhibition/convention.

I heard through the grape vine that Fotoautomat France installed another specially designed booth at the convention again this year, I visited it a few times. While walking around town I saw a few of these large prints of photobooth pictures glued onto walls. By chance, the last time I went to visit the booth I bumped into the technician, whose name also coincidentally happens to be Peter. We chatted about technical stuff and I asked him if he knew what the posters were about. They’re part of a project by the well-known French artist JR.

I’ve since looked up his work and this project Inside Out and I’m totally amazed by it and would like to participate myself.

Next I headed to Florence, where there are two booths by two different companies. It was super hot in Italy and so I couldn’t help but be curious about what the heat does to the water, chemicals and mechanics of the booth. The poster on this booth, which gets direct sunlight was essentially melted.

While in Florence I met with Matteo of Fotoautomatica, who has restored and operates several booths in Italy. I was awed by his artisanal craftsmanship, his booth was meticulously clean and expertly constructed.

From there I visited a small town, Cesena, to visit a Canadian booth at a photography studio. I stayed with the nicest photobooth lovers you could find, Michele and Cristina. I had a few more plans that fell apart at the last minute, partially due to language barriers and because in August everyone in Italy apparently goes on vacation.

I came back to Halifax with a whole lot of insight and a bunch of goodies too. My suitcase got pretty heavy by the end, especially with books. Now I’m preparing to temporarily relocate to Chicago to do an internship with A&A Studios. From there I’ll make trips to New York and to Vermont to visit Nakki Goranin. After that, in theory the research for my book should be finished… though I have this nagging thought in the back of my head that I should really try to sneak in a visit to England, Germany and Austria in 2013. We’ll see!

July 17, 2012

We’ve finally returned all the artwork and cleaned up the supplies and props from the two days of fun and photos that were the 2012 International Photobooth Convention, but there was one thing left to do: collect and publish the amazing photostrips made by everyone as part of the “Photobooth Shorts” collaborative project.

For those who haven’t attended a recent convention, the collaborative project is something we do each year, a collective effort based around a particular theme or subject. In 2005, St Louis photobooth enthusiasts tackled four different moods in a piece called “Emotions.” In 2009, photobooth convention-goers in Chicago answered questions posed in photostrips made by photobooth fans in Moscow in a project called “Fotomost: Moscow-Chicago Space Bridge.”

This year’s project asked participants to tell the story of a film in four frames of a photobooth, using whatever was at hand including costumes, signs, props, and random strangers. I think everyone had a lot of fun coming up with ideas, and the resulting strips are hilarious, clever, and surprisingly evocative.

I picked up the finished booklets from the printer today, and they look great. They’re professionally printed and bound in full color, in a limited run of 100 numbered copies.

If you contributed a photostrip and want to have a memento of the project, or if you missed out and would like to see the results of our work, we’re happy to ship one your way for $8, postage included ($10 international), to cover the cost of printing and postage.

Choose your shipping destination and click the button to go to PayPal, or contact me to make other arrangements.

June 11, 2012

Today, we’ve got a raft of updates in our TV and Commercials sections, thanks to our helpful readers.

First, the second appearance by a photobooth, this time a real Model 14, in the show “The Big C.” Thanks to Anthony for the tip on this scene, in which one character protests “photobooth discrimination.”

I’ve been catching up on the excellent new show “Girls” lately, and Hannah (Leah Dunham) and Marnie (Allison Williams) have at least three photostrips in their apartment, as seen in episodes 2 and 5:

I finally came across a copy of the Weird Al Biography from A&E, in which we see a number of photobooth photos of a young, not yet weird Al with his mom.

Thanks again to Anthony for telling us about the episode of American Pickers with Jack White in which the guys trade a mounted elephant head for one of Jack’s photobooths (you’ve got to see it to believe it).

And just last night, on the second episode of the new series “Longmire,” a photostrip provided a clue in the death of a girl. Thanks to Gary for the tip on this one.

I’ve also added updated, higher quality images for some of the first TV shows I posted to the site back in 2005: Roswell (I had no idea that was Katherine Heigl…), As Time Goes By, and The X-Files.

In the world of commercials, I spotted one running on ESPN a few days ago, an ad for Corona Light featuring the adventures of everyman Stan, shown in a series of still photos. Once Stan has a Corona Light, his life gets more interesting, and he finds himself in a photobooth. Of course.

And finally, thanks to Siobhan for tipping us off to two ads (adverts, I suppose) from the UK, for the TV show “Take Me Out,” and for Thinkbox, an ad which stars Harvey and Rabbit.

June 09, 2012

2012 International Photobooth Convention

The photobooth crawl was one of the parts I was most looking forward to as the Convention approached. Andrea came up with the idea when we were all in Lausanne earlier this year, and I knew we had to make it part of the event. Los Angeles has a lot of photobooths, the best way to get around the city is to drive, but driving in L.A. is also no fun. Why not get everyone together and pay a professional to drive?

We all met at Mohawk Bend in Echo Park, a relatively new restaurant with great food and an amazing beer selection that is also home to a black and white photobooth. By the time the giant bus arrived, we had dined, taken photos in the booth, and witnessed a partial solar eclipse out on the sidewalk. What a day! We had 18 enthusiastic photobooth lovers on our massive bus with blacked-out windows and leather benches, people who had traveled from France, the UK, Austin, Portland, Chicago, and St Louis, as well as a number of local Angelenos.

After Mohawk Bend, we headed for West Hollywood and the Churchill, where we took a bunch of photos and had the whole upstairs of the bar to ourselves. I tried taking a strip, but the machine seemed conk out at that moment from a sudden burst of activity, so we moved on.

From the Churchill, we headed back east to the Cha Cha Lounge. This place has always been a favorite of mine, and I think everyone on the crawl really enjoyed it, as well. A color booth with a custom facade and photostrips for just $2? What more can you ask for? Everyone had a good time taking photos and having some drinks, but before long, it was time to move on.

Edendale was our next stop, a bar and restaurant in Silver Lake, located in an old fire station. We took the long way, to say the least, to get there, as our driver got us into a little GPS-induced trouble. The streets around Silver Lake can be tricky, and our route to Edendale found Tim and I out on the street, waving the bus on as it slowly backed out of a dead end with a too-tight corner. Once we got to the bar, we were ready for more photos. The booth was working fine, people took a lot of photos, and we even spotted Marisa Tomei, checking off a big to-do item for some of our visitors…

We headed to the Satellite next, a venue I’d been to when it was Spaceland, but hadn’t visited recently. The booth was sadly out of order, our first miss of the night. It wouldn’t be a photobooth crawl without a non-functioning machine, though, right? We reconvened on the bus and headed to another must-visit location, the legendary Short Stop. When I visited during my dry run, it was out of order, but I was hoping it had gotten a visit from the technician.

No such luck, and we were faced with our second out of order machine of the night. I was hoping at that point to bring everyone downtown to Bar 107 so we could all endure a pat-down in order to use a photobooth, but we didn’t have the time. With just a few minutes left on our scheduled time, we headed back to Mohawk Bend and took a bunch more pictures. Our minor disappointment at not hitting as many booths as we’d have liked was quickly forgotten when we heard someone mention “Photobooth.net” while waiting for his photos to come out. “Hey,” I said, “We’re Photobooth.net!” Turns out Sim was a big fan of our site, and we had a great time talking to him and taking some photos together. Everyone took group shots to remember the evening by (like the one here, with the gang from La Joyeuse de Photographie, who came all the way from Paris for the event), and we had a great time hanging out.

The evening was a great success, and I hope we can replicate it the next time around, wherever the next International Photobooth Convention may be. We’ve posted a Facebook album of photostrips I took during the Convention and the crawl, and another Facebook album of Pocketbooth photostrips from Tim’s iPad, taken at both the Convention and on the bus during the crawl.

May 31, 2012

I’m still in the process of cleaning up the props and supplies that litter my office, and I pack up and ship another piece of art to a contributing artist each day, but the 2012 International Photobooth Convention has come and gone, and it’s time to put down in words and pictures what happened.

After months of planning, the convention began for us with a get-together on Thursday night at my house for some people who had come in from out of town. It also provided an excuse for me to get Anthony over to repair my booth, so we could all take photos in it before the evening was over. It was great to see old friends again, and get to know new ones.

2012 International Photobooth Convention

Earlier in the afternoon, we had a visit from Roman, down from San Francisco with his beautiful Model 11, which Anthony, Tim, and I checked out enviously as it sat in my driveway.

International Photobooth Convention

International Photobooth Convention

Though it wasn’t ready to produce photos yet, Roman was kind enough to bring his booth to the Electric Lodge so convention-goers could admire it during our Friday opening.

On Friday morning, Tim and I loaded all of the materials I’d collected at my house into the car and headed over to the Electric Lodge to get things ready. As we starting setting up and hanging art, Jim and Raul from Foto-Mat and Mike from Classic Photo Booth both arrived with their photobooths and brought them into the Lodge.

We couldn’t have done this event without them, and it was not only wonderful to have both a black and white and a color machine on hand, but it was a real pleasure meeting and talking to the guys. Watching their different techniques for moving, unloading, and setting up the booths was a special bonus for those of us who have done it once or twice (or a hundred times) ourselves.

2012 International Photobooth Convention

2012 International Photobooth Convention

The 25th Anniversary of the seminal PHOTOMATON photobooth art show was a big part of the convention, and we spent most of Friday afternoon hanging the art on the walls of the lobby, the stairs, and the upstairs area of the Electric Lodge. The folks at the lodge were extremely helpful, especially Lavinia, Lexie, and Jenny, and we had a secret weapon in our midst, a woman who confessed to having majored in hanging art, Meags Fitzgerald. I’m not sure what we’d have done without her; we didn’t know we needed her when we began the project, but it became clear how helpful she was once we got down to work. Meags and her gung-ho friend Kory along with Anthony, Tim, and I got all of the art up before the 7:00 opening, while another group of people entirely were taking care of the studio space.

2012 International Photobooth Convention

2012 International Photobooth Convention

2012 International Photobooth Convention

Aimee and Leslie took care of making the merch display a dizzying array of colorful collectables, while Leslie’s husband Keith, a.k.a. DJ National Geographic set up his turntables and speakers to give the evening a soundtrack. They also took care of our wine and soda setup, while our kids played together and occasionally misplaced a toy…

International Photobooth Convention

We opened at seven, and had a steady stream of people throughout the night. The same thing that always happens at these events happened, in which I man the front desk or get wrapped up in some other thing going on and don’t really get to engage in the actual activities of the event, but I think people were having a good time. It’s tough to underestimate what a great addition DJ Nat Geo was for this convention. We can now never go back: every event from now on needs a live DJ. He made the whole thing feel real, and I know everyone was appreciating his thoughtful selections. Thanks, Keith.

It was a fun night: we got to meet a lot of people, we gave away some raffle prizes, and people took a lot of photos before calling it a night around 10:30.

International Photobooth Convention 2012

International Photobooth Convention

International Photobooth Convention

On Saturday, we took care of a few last-minute things that needed fixing before we opened again at 3:00 pm. I set up the looping show of photobooth clips going in the theater upstairs, and we began to hype our collaborative art project. Conceived hours before the show opened and begun timidly that night, the project exploded on day 2 as dozens of convention-goers took the challenge of telling the story of a movie in four frames. Costumes, expressions, props, and text bubbles were all put to very creative use, and we collected the results at the end of the day. We’ll be publishing a pamphlet of the resulting work, hopefully sooner rather than later. Watch this space…

Anthony offered another one of his fascinating workshops, this time taking photobooth photos and creating cyanotypes, exposed in the Southern California sun. Everyone enjoyed the project and their results.

2012 International Photobooth Convention

2012 International Photobooth Convention

2012 International Photobooth Convention

It was great to see friends and families stream in on Saturday, and we had a steady crowd of twenty or so people, all day long. I gave a talk on Photobooths in Cinema upstairs that was well-attended, and Tim and I got to relax a little and talk to the folks who had come for the afternoon.

It really was an amazing gathering of photobooth enthusiasts, entrepreneurs, technicians, and artists. The brain trust of photobooth experience in that room on Saturday was formidable. It was really great to meet folks we’ve long corresponded with, like Sam in Pasadena, Johnny in Sacramento, and Joe in L.A. It was also a nice surprise to see Robin from Foote Photos again, whom I’d last met at the Orange County Fair three or four years ago. I wish we’d been able to have everyone sit down and tell their stories. It would have been a fascinating conversation.

2012 International Photobooth Convention

2012 International Photobooth Convention

Before we knew it, it was 10:00, there was a dog in the photobooth, and it was time to close up shop and begin the long process of taking down the art we’d hung up just over 24 hours before. Note to self: next time, use a combination of less art up for a longer period of time, you’ll appreciate it. We got the booths broken down and cleaned up and out of the way, and said goodnight to the Electric Lodge, which turned out to be a perfect place to hold our little event.

2012 International Photobooth Convention

I can’t thank Aimee, Tim, Anthony, Andrea, Meags, Kory, Mike, Raul, Jim, Keith, and Leslie enough for making the event a success. Also, a special thanks to our guest, PHOTOMATON artist George Berticevich, down from San Francisco to take part in the celebrations, and to all of the artists who contributed their work to this show. Thank you to everyone who attended, took part, took photos, and contributed to our project. We hope you enjoyed it, and we’ll see you next time.

If you’d like to purchase one of our limited edition posters or PHOTOMATON show catalogs, I’d be happy to help.

More of my photos on Flickr, and if you have photos from the event on Flickr, please add them to our 2012 IPC group pool. Up next, a recap of our Los Angeles Photobooth Tour.

May 29, 2012

As we look back on everything that happened during last week’s International Photobooth Convention, we’ll be posting recaps of all of the events that took place, the people we met, and the experiences we had during the three days. It was an ambitious event, and we used the occasion to debut a few of own contributions to the world of photobooth media. We’ll now be making those items, namely the convention poster and the Photomaton 25th anniversary catalog, available to the public.

Our poster is a beauty, designed by Jared Purrington and printed at Level Press in Los Angeles on French Paper. The poster is signed and numbered in a limited edition of 100. The poster is $20 plus postage and handling.

The poster will be shipped to you rolled in a sturdy tube.

The catalog for the PHOTOMATON 25th Anniversary show is a professionally printed and bound 36-page work that combines original biographies and artwork from the original 1987 catalog, which is now quite scarce, with updated information and images on every artist who participated in the original show. The catalog is also in a limited edition of 100, and is $15 plus shipping and handling.

Choose US/Canada or International and then click the image to purchase the item. I’m happy to ship multiple copies of either or both items, but due to the fact that the poster will be shipped in a tube, we need to charge separate shipping costs for each type of item. Please with any questions. If you’ve written me before to reserve an item, I have them set aside for you, but please click through the PayPal links to set up payment and provide me with your shipping address.