THE PHOTOBOOTH BLOG
March 04, 2012

As we settle back in from the Lausanne and Zurich trip and look forward to the 2012 Convention in less than three months, we’re also keeping up with new additions to the site from things we’ve spotted ourselves to the many contributions we receive from our readers every week. Thanks again, everyone, for getting in touch.

First, we’ll start with the moving image. We’ve known about a photostrip appearance in the short-lived Craig T. Nelson show “The District” since we started the site, but never had a chance to get proof. We did some trawling and finally came up with the images from an episode called “Rage.”

Just a few weeks ago, and honest-to-goodness photochemical machine showed up on “Saturday Night Live” when Zooey Deschanel, already an aficionado of the booth both personally and professionally, hosted the show. A sketch called “Bein’ Quirky with Zooey Deschanel” saw Deschanel playing Mary-Kate Olsen, and Abby Elliott playing Deschanel.

We also have new photobooth photo appearances from David Cross’s “The Increasingly Poor Decisions of Todd Margaret” and a documentary called Dr. Bronner’s Magic Soapbox.

After meeting brothers Russ and Greg Goeken in Lausanne, we’re now happy to be able to list their photobooths in our directory: Greg runs the booth at the Shangri-La in Austin, and Russ oversees the booth at the Congress Street Social Club in Savannah, Georgia.

We’ve heard about some booths in Atlanta over the years, but never had any confirmation (jklax, I’m looking at you), so this booth marks the first booth in our listings from Georgia, and is certainly the only photochemical machine in Savannah. Here’s to many years of success for both booths in these great cities.

We have a number of new books listed, from books made in photobooths to books about photobooths to books that merely mention the machines. First, Paul Yates kindly sent us a copy of his new book, Privacy is a Myth. The book’s Blurb page describes it as “a monograph of Filmmaker Paul Yates’ 25 years of photobooth photography. From Surreal to Sexy, from Degenerate to Intimate–these photobooth strips reveal more about Yates’ personal life than one could imagine. Homeless at 15, already an artist, Yates struggled to find an outlet for his passions…the ubiquitous photobooth machine was his answer!”

Next, we have the photostrip-sized collection called Falten, Fächer by painter and photographer Hansjürg Buchmeier, who I was happy to have met in Lausanne and who is now listed in our Art section.

We added a couple of books with mentions of the booth this week as well: from James Marshall’s well-known “George and Martha” series, the book Tons of Fun features a “Clickopics” photobooth.

The English writer Zadie Smith’s On Beauty features a long, sad, “Baldy Man”-esque sequence in a London photobooth.

Once again, we need to thank Les Matons for more in their steady stream of contributions: this week, they tipped us off to a catalog from a 1985 show about identity photos that features many photobooth works: Identités.

Additionally, they clued us in to the French recording artist Kim, who has used photobooth photos on at least fifteen albums, singles, and E.P.s over the last two decades. We’ve listed as many as we could find (currently at fifteen) in our Music section, from this split single from 1994 to La cuisine selon certains principles from 2001. More information on Kim (born Kim Stanislas Giani in 1977) on his site and on French Wikipedia.

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