THE PHOTOBOOTH BLOG
February 10, 2012

As I prepare to head to Lausanne in a few days, I’m clearing off some old to-dos from the list, and have added a variety of updates to our ever-growing catalog of all things photobooth.

First, in the world of books and magazines, a few new items:

Photomatons pornographiques, a slim, French collection of photos from 1992. We can only assume is what it sounds like it is; the book seems scarce and expensive and is maybe best left up to the imagination.

Photographer Liza Rose’s book Le livre extraordinaire de –M– features numerous photobooth photos, and even comes with a strip in its elaborate packaging. In addition to the book, Rose created a video teaser for the book that we have listed in our Music Videos section.

Artist Johanna Tagada illustrated a piece about bagels in an issue of Zut! magazine from last year with some photobooth photos.

And finally, a new publication, Regardez il va peut-être se passer quelque chose…, from Alain Baczynsky.

The book is a collection of photobooth photos taken by Baczynsky over a period of three years, 1979–1981, which capture his mood and mindset after a psychoanalysis session. The photos, which uncover Baczynsky replaying the sessions in his mind, were re-discovered by curator Clément Cheroux of the Pompidou Center and one of the curators behind the upcoming Musée de l’Elysée exhibition, where the photos will be displayed. Mr. Baczynsky will be signing copies of the book at the show, as well.

In the realm of film, we have two new additions:

Dirty Girl, a 2010 film starring Juno Temple, features a battered photostrip of Danielle’s long-lost father.

In Love Actually, we get an extremely brief glimpse of Liam Neeson and his late wife in a photobooth, as seen in a slide show at her funeral.

In television, Laura Linney’s The Big C featured a photostrip in a recent episode. The booth was at a celebratory funeral for an unborn baby; Rebecca (Cynthia Nixon) was disappointed it was being hogged by Cathy’s friends rather than actual mourners.

Ad agencies seem never to tire of the photobooth as a prop; we have two more ads that prove that the shtick is still fresh in someone’s mind, somewhere.

First, Photomaton, a French commercial for Freedent White gum.

And, more recently, commercial for a charm bracelet from Kay Jewelers that aired last week.

Finally, we’ve also listed a new project, The Sketch-O-Matic, in our Projects section. Made for use at an art space in Manchester, England, last year, the Sketch-O-Matic replaces the photobooth camera with an artist, who draws a quick portrait of the sitter in about the same amount of time as it would take for a photostrip to develop.

Safe travels to everyone heading to Switzerland this weekend and next week. Please come say hi; I’ll be the guy with the camera trying to capture the proceedings. Internet connection willing, I’ll be tweeting and posting some photos from the event over the next week, so stay tuned if you can’t make it in person.

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