We’ve recently come across an issue of Time magazine from January 1965, featuring a cover by Andy Warhol, using photostrips of teenagers to illustrate a story on the subject in the issue. From Publisher Bernhard M. Auer’s letter:
The cover illustration was done by Pop Artist Andy Warhol, who has made his name and fame by getting his literal renditions of Campbell Soup cans into leading art galleries. Warhol, 33, worked in a five-and-ten as a kid in McKeesport, Pa. For this week’s cover, he took seven youngsters–aged 13, 14, 15, 16, 17, 18 and 19, and all relatives of TIME staffers–to a Broadway arcade, where they posed for pictures in one of these old five-and-ten type camera booths. These pictures were Warhol’s starting point for the cover illustration. We asked him to use the same techniques for the accompanying “self-portrait.”
In the following issue, readers responded to the article, and to Warhol’s art. Here are two such letters:
Sir: Andy Warhol’s cover illustration portrays the antics of monkeys in a sideshow. One might infer that today’s teenagers make a joke of the responsibility inherent in their premature sophistication.
D. R. HUNNEMAN III, New Haven, Conn.
Sir: Your Andy Warhol cover is evocative and refreshing. The squares, unfortunately, won’t pay attention to how he’s manipulated his patterns, and thus will miss the rhythm and wit.
R. C. JONES, New York City
Our friend Mixup has sent in this note about the late photobooth artist Jaroslav Supek.
Multimedia artist and writer Jaroslav Supek died after a short illness on 9th July 2009. He was born in 1952 and lived in Odžaci in the Vojvodina region of north Serbia and he took part in many group and solo exhibitions nationally and internationally over four decades.
He shared the Slovak background of Andy Warhol (Warhol’s parents were from Miková in north-eastern Slovakia) and maybe this had a small part to play in his passion for photobooth machines, something which interested Warhol too.
I had the good fortune to meet him twice during 2004 when I was working on art projects with Saša Marković and we were staging the 6th International Photobooth Convention in Belgrade. He came along to Belgrade to join in the activities and a few days later we travelled to visit him at his home. We spent an afternoon sharing a drink or two and looking through his many works and catalogues and because of his connection with Slovakia he also owned genuine photobooth strips of Andy Warhol. Maybe not the greatest photobooth artist but certainly the most well known so holding them in my hand was a moment to savor.
Of most importance were pieces relating to the 1997 show “First International Exhibition of Photo-Booth Photography” held at the Srecna gallery, Belgrade, for which he was curator, featuring photobooth work from South, Central and North America and all over Europe. I had a small piece showing and although I had been formulating the idea of a regular convention (still two years away) it spurred me on to achieve this goal.
I feel it can be honestly said that Jaroslav was one of ours.
–Mister Mixup, 2010
Supek in the booth at the 2004 International Photobooth Convention in Belgrade