That’s certainly not a word, but I’m sick of using the term “roundup” to describe one of these omnibus photobooth news entries. Maybe I should have just used “omnibus,” actually. Anyway, we’ve found a few brief items of note to relay here, and in the new year, we’ll have more news on the photobooth art front from Spain and Italy.
One item that has been circulating the art news blogs recently tells of the work of Joe Heidecker, who used a photobooth to help him cover chairs in photos of design fair goers in Miami. Read all about it on the Dwell blog, and be sure to check out the “Design Miami 2007” video on the New York Times website.
Max Kozloff’s new history of portrait photography features some photobooth photos, according to a Guardian review:
Kozloff favours anonymous faces and everyday locations: he makes room for discarded strips of photo booth portraits, but not for the celebrated sitters of Karsh, Bailey, Leibovitz or Testino.
- According to a recent LAist post, musician and artist (and photobooth photo collector) Mark Mothersbaugh’s “Rugs During Wartime and Peacetime” exhibition and sale at a gallery in Culver City, California, featured a booth:
They had the requisite trendy photo booth, which we avoided. Everyone’s butt looks fat standing in a photo booth.
- Photobooth.net reader DaveX’s giant gallery of photostrips shows the wide variety of lighting, contrast, and chemical variables that can have an effect on the final strip. And if you’re into seeing the owner of that same photobooth mugging for the camera, take a look at the gallery of 357 photostrips of the owner, also impressive and fascinating.